Interviews that focus on the CG creative in visual effects, architecture and beyond. Christopher Nichols of Chaos Group sits down with directors, artists, photographers and developers for candid discussions on technology and art, all with a focus on computer graphics. Visit chaosgroup.com/cg-garage for more information and an archive of past shows.

Pixar’s unique fusion of cutting-edge technology with storytelling has changed the face of cinema and given us some memorable movies along the way. A key player behind-the-scenes has been Esdras Varagnolo, who contributed to lighting and compositing on Pixar movies including Ratatouille, Up and Cars 2, as well as shorts “La Luna,” “Piper” and “Lou.”

As Esdras begins a new chapter in his life, at David Ellison’s Skydance Animation, he reflects on the technical innovations he’s helped make possible, from “shampositing” at Digital Domain to integrating deep compositing and Katana at Pixar. He reveals how Pixar uses its short films as testbeds for new technology, how Incredibles 2’s production schedule was slashed by 12 months and the fascinating reason why the company’s early characters had that iconic eye glint.

Direct download: CGGarage_Podcast270_EsdrasVaragnolo.mp3
Category:Movies -- posted at: 11:27am PST

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