Sun, 24 December 2017
Maxx Burman was destined for a career in the film industry — but how he got there is surprising. His grandfather and parents were practical effects artists, creating the groundbreaking makeup for The Wolfman and The Planet of the Apes, respectively.
Helping his parents out on all-nighters gave Maxx a strong worth ethic, and a hard-earned knowledge of what happens behind the scenes in Hollywood. But an early viewing of The Matrix inspired him to carve out his own career path in the less-messy world of VFX.
After establishing himself as a freelance matte painter and VFX supervisor, Maxx’s entrepreneurial spirit kicked in. His most recent venture is Kitbash3D, a handy online repository of professional, optimized 3D models of different styles of architecture, from “Victorian” to “Neo Tokyo,” ready to be “bashed” into backdrops, matte paintings and 3D environments. It takes the guesswork, and hard work, out of creating believable cityscapes.
As Maxx reveals in this podcast, that’s not all he’s working on. He’s creating a game for Nintendo, still working as a freelance matte artist, and even starting a company to manage all his endeavours. He and Chris talk about adventures in Digital Domain's keyboard graveyard, how Maxx has gone from artist to businessman, and how he ensures his projects succeed.
Mon, 18 December 2017
Summer 1993. Jurassic Park is about to be unleashed in theatres. Meanwhile, at the Rice School of Architecture in Houston, Texas, a young student named Chris Nichols is learning how to use AutoCAD, 3dstudio v2, and Wavefront. Overseeing Chris is Shisha van Horn, a paleontologist turned architecture student, then lecturer.
Chris and Shisha are reunited for this trip down memory lane. Shisha talks about how she set up the school’s first computer network, and cajoled Chris into creating 3dstudio online manuals using nothing more than notepad and HTML tags.
It’s a reminder of how much has changed. Most of Chris’ portfolio from the time now fits on a single SD card, but in 1993 it would have filled a hard drive. The arch viz industry didn’t exist. The department used a dye-sublimation printer which cost $6,300, Gopher and Mosaic were the only ways to look at web content, and Chris even built his own render farms so he could get his thesis done in time.
It’s also testament to the talent and energy Chris brought to the university, then the architecture and VFX industries, and now to Chaos Group. And it’s nice to hear from Shisha, who was an instrumental and influential part of Chris’ life and career.
Sun, 10 December 2017
Chaos Group has been involved in The Ningyo for about four years now, and it’s finally come to fruition. The ambitious 27-minute film tells the story of Professor Marlowe, an Indiana Jones-esque cryptozoologist, as he hunts for the titular aquatic creature from Japanese folklore.
In this podcast, director Miguel Ortega tells Lon and Chris about the trials and tribulations of making his movie. He and partner Tran Ma came up with the story, funded it on Kickstarter, turned their house into a film set, and learned VFX software as they went along. He talks about how the clever and occasionally risky ways they cut costs, but produced something so good that it even surprised the crew who worked on it.
This is essential listening for behind the scenes geeks, and it shows how movie budgets can spiral out of control so quickly. Miguel also talks about the exciting future plans for The Ningyo, and his career. One to watch.
Mon, 4 December 2017
For this THU double bill, Chris is joined by friends old and new.
In the first part, he chats with VFX artist turned arch viz expert Keely Colcleugh, and CG Architect founder Jeff Mottle — both of whom have previously featured on podcasts. They’re perfect examples of how this year's THU festival embraced architectural professionals and the crucial knowledge they can bring to concept art and character design.
Using films like Minority Report and Blade Runner as examples, they talk about how movies can blend architectural design and futurism to provide evocative backdrops for their characters. They also ponder the importance of IP in architectural visualization images.
User experience (UX) design doesn’t sound like something that would be tied to architectural visualization. But in the second part of this podcast, a discussion with designer Jessica Rudzewicz highlights many parallels.
In essence, UX design is about hiding technical aspects in a way which is aesthetically pleasing and easy to understand — which is quite a lot like architecture. But Jessica also talks about systems without a visual interface, like Siri or Alexa, or bridging the virtual and physical worlds on the HTC Vive. It’s interesting to hear how much hard work goes into making something as unnoticeable as possible.