Sun, 8 January 2017
Chris’ guest for this episode is Ed Ulbrich, President and General Manager, Deluxe VFX and VR. He’s Digital Domain’s former CCO and CEO, and when the effects company faced financial difficulties a few years ago, Ed did a heroic job of reassuring staff and providing transparent answers to difficult questions.
Ed also spearheaded the VFX industry’s experiments with digital head replacements. Back in 1999 he helped transplant James Brown’s digital visage onto a younger dancer for Seattle’s Experience Music Project back in 1999. He led the team which reanimated Orville Redenbacher for the unintentionally creepy commercial, then perfected the tech with a digitally-aged Brad Pitt in “The Curious Case of Benjamin Button,” and the late Tupac Shakur’s CG headline performance at Coachella in 2012.
Ed talks about his new role at Deluxe, which is arguably the biggest effects company in LA. He also discusses his role as VFX producer on “Suicide Squad,” and the potential of virtual reality in movie making
Mon, 2 January 2017
Chris’s guest for this ridiculously entertaining episode is Erick Schiele. Erick and Chris worked together at architectural studio Gensler, and then followed similar career paths into visual effects, with Erick working on “Sky Captain and the World of Tomorrow,” “Stealth,” and “Iron Man 2.”
Erick has an incredible array of stories from the worlds of visual effects and the music industry. He tells Chris how he almost incinerated Stephen Stills, chatted to Eric Clapton at a laundromat, and rearranged the Eagles’ Glenn Frey’s Internet Explorer bookmarks—for three days.
There’s some sound advice for creatives here, too, including how to avoid creative burnouts—and how not to make short films. There’s also a surreal but gruesome explanation of what it’s like to have cataract surgery under local anesthetic.