Since 2014, CG Garage has brought lively, informal conversations with Oscar-winning legends, visionary artists, and the innovators driving the industry's biggest technological leaps. From in-depth interviews to spirited roundtable discussions, hosts Chris Nichols and Daniel Thron explore the art, craft, and future of filmmaking. With Hollywood in the middle of a major revolution, we talk to the filmmakers who are making that transformation possible, covering everything from behind-the-scenes stories on iconic movies to the cutting-edge tools reshaping the industry.

Pixar’s unique fusion of cutting-edge technology with storytelling has changed the face of cinema and given us some memorable movies along the way. A key player behind-the-scenes has been Esdras Varagnolo, who contributed to lighting and compositing on Pixar movies including Ratatouille, Up and Cars 2, as well as shorts “La Luna,” “Piper” and “Lou.”

As Esdras begins a new chapter in his life, at David Ellison’s Skydance Animation, he reflects on the technical innovations he’s helped make possible, from “shampositing” at Digital Domain to integrating deep compositing and Katana at Pixar. He reveals how Pixar uses its short films as testbeds for new technology, how Incredibles 2’s production schedule was slashed by 12 months and the fascinating reason why the company’s early characters had that iconic eye glint.

Direct download: CGGarage_Podcast270_EsdrasVaragnolo.mp3
Category:Movies -- posted at: 11:27am PST