Interviews that focus on the CG creative in visual effects, architecture and beyond. Christopher Nichols of Chaos Group sits down with directors, artists, photographers and developers for candid discussions on technology and art, all with a focus on computer graphics. Visit chaosgroup.com/cg-garage for more information and an archive of past shows.

From the age of two, Colin Aguiar has been fascinated by music. It’s an obsession which has paid off: over the past 20 years he’s scored numerous projects and worked with mentor Mychael Danna on films including Life of Pi. His talent caught the attention of Construct director Kevin Margo who called on his abilities to create an experimental score for his groundbreaking short film.

In this podcast, Colin joins Construct producer Chris Nichols for a chat about the process of creating its score, including some of the challenges of adding dubstep elements, creating themes for specific characters, and working from a temp score. The discussion opens up into a wider discussion of music in general where Colin reveals how he loves everything from North African to German experimental to US industrial styles, and talks about some of his all-time favorite composers.

Scores are an oft-overlooked part of cinema, and Colin gives a huge amount of insight into the most important elements of movie music.

Direct download: CGGarage_Podcast209_ColinAguiar.mp3
Category:Movies -- posted at: 4:27pm PST

When Kurt Lawson isn’t assembling effects for some of Hollywood’s biggest movies, he’s in backcountry California creating astonishing long-exposure shots of the natural landscape. In this engaging podcast, he tells Chris how teenage experiments in visual effects and Olympus cameras inspired his successful career and awe-inspiring hobby.

Kurt and Chris reminisce about working together at Digital Domain with director Joe Kosinski on a jaw-dropping effects shot for Oblivion, and Kurt talks about his more recent work on 300: Rise of an Empire and The Spy Who Dumped Me. He also discusses the current state of the visual effects industry in Los Angeles and the work which goes into setting up his photography projects.

Listen to find out how certain VFX artists are presented with pineapples, why rocks in Death Valley seem to have a life of their own, and some of the tricks compositors use to make the audience believe CG is real.

Direct download: CGGarage_Podcast208_KurtLawson.mp3
Category:VFX -- posted at: 11:14am PST

From a young age, Joe Farrell knew he was destined for a career in entertainment. After helping interview musical superstars, he ‘tweened for Disney and Warner Brothers animations, moved into commercials at their hedonistic peak, and then traveled to Vancouver and Los Angeles to work as a concept artist, VFX supervisor and compositor on films including Star Trek, The Wolf of Wall Street and Hereafter — the latter of which earned him an Academy Award nomination.

Today, Joe runs Tangerine Apps, an innovative studio which brings his experience into the worlds of AR and VR for experiences based on The Jungle Book, Los Angeles’ Olympic bid and an enticing upcoming opera project.

Joe is a fascinating podcast guest with some funny, insightful stories about the visual effects of Aeon Flux and I, Robot. He also reveals the more rewarding aspects of VR experiences and the advantages of being a small and agile company in Los Angeles.

Direct download: CGGarage_Podcast207_JoeFarrell.mp3
Category:VFX -- posted at: 10:17am PST

Direct download: CGGarage_Podcast206_MattFairclough.mp3
Category:CGI -- posted at: 10:29am PST

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