In this podcast, Chris is joined by Neoscape's Evan Buxton and Bryan Holmes, as well as former Neoscaper - and now Chaos Group CCO - Lon Grohs. The innovative Boston-based studio has been on the podcast wishlist for some time, and it's peppered with amusing anecdotes about when Evan, Bryan, and Lon worked together.

The podcast also features some great advice on running a modern arch viz company, including how Neoscape has adapted to a rapidly changing market by working with developers rather than architects and now has to compete with companies such as Facebook and WhatsApp for VR-savvy employees. The topic of video games comes up frequently, especially in relationship to storytelling in arch viz and VR.

You’ll find out about Evan’s paintball ballsiness, and why you should never let Lon in your brand new car.

Creative studio Squint/Opera has many talents: as well as creating playful, story-driven arch viz films it has produced kids TV series Messy Goes to Okido, and it even runs a bar in south-east London. Recorded at Total Chaos, this podcast features three of the company’s 3D artists: Michelle Obayda, Camille Lymer, and Zlatina Pancheva

Drawing from their experience working with Bjarke Ingels (BIG) on the incredible Spiral skyscraper in New York, the trio tell Chris about how they combine 3D, motion graphics and live action footage to create charming, humorous videos. They discuss how they took a more tactful approach to BIG’s The Dryline, an ambitious project to protect Manhattan from flooding caused by superstorms like Hurricane Sandy.

The Squint/Opera team also talk about working on Elon Musk’s Hyperloop One, how they've adapted their unique style to virtual reality. It’s a fun and engaging podcast, and it makes Squint/Opera sound like a great place to work.

This podcast features Aaron Kupferman, an expert on the intertwined fields of CGI and photography. He's served as compositor on movies such as Avengers: Infinity War, Alice in Wonderland, and upcoming Statham vs. Shark film The Meg. But he’s also an unbelievably talented photographer, effortlessly shifting between shiny automobiles, expansive land and cityscapes, and dwarfing time-lapse photos of the night sky.

Despite having a lot of photography equipment, Aaron highlights the importance of good technique over tech. He explains how imaginative photographers can compose and light great pictures with little more than a sheet of paper and a lamp, he delves into his dramatic shots of fast-moving cars, and describes his home-made time-lapse kit for capturing the night sky.

Aaron also gives insight into his life in technology and CG, from an early start in radio communications with a space shuttle, to how to render shots for action movies.

If you want to know what to do - and what not to do - to create amazing photographs and renders, this is the podcast for you.

It’s not hard to see why Karim Mousa has become one of the world’s most respected arch viz artists. His renders and animations for Zaha Hadid, KPF and MVRDV are cinematic, realistic, and spectacular. In this podcast, recorded at Total Chaos, Karim tells Chris how he’s carved out a career among some of the best in the business.

Karim and Chris have a lot in common: both have lived in the vibrant city of Cairo, and both pursued arch viz careers. After spending time in Dubai, Karim swapped sand for snow and traveled to Bergen, Norway to work for creative studio MIR. Now, Karim is back in Cairo, where he continues to create eye-popping imagery and videos.

It’s an engaging, energetic listen. You’ll find out how approaches to architectural visualization have changed over the past few years, the differences between middle eastern and western projects — and how Karim’s love of Taekwondo inspired him to create an incredible series of images.

On the verge of his 50th birthday, Chris’s former colleague Ken Ibrahim looks back at an incredible career in which his childhood dreams came spectacularly true.

Ken’s interest in visual effects began at the age of nine, when he and his brother were inspired by Star Wars and Star Trek to create Super 8 films, complete with hand-drawn visual effects. He was introduced to computers at high school, and shortly afterwards he made the leap to Japan where he ended up as a programmer – and occasional voice artist – at SEGA.

Then Ken returned to the US to work at companies such as PDI, Cinesite, Square and Digital Domain on movies like Shrek, Final Fantasy: The Spirits Within, X-Men 2 and 2012. He landed in nerd heaven, and met some of the universe’s heroes, when he joined JJ Abrams’ Bad Robot studio, to work on the franchises which inspired his career.

Ken’s an entertaining podcast guest, and he and Chris discuss everything from digital humans to Isomorphic web design. You’ll also find out how he enjoys free beer, ball games and concerts in San Francisco.