Sun, 6 May 2018
Jesse James Chisholm’s illustrious movie career has spanned work from The Curious Case of Benjamin Buttons to upcoming Marvel blockbuster Ant-Man and the Wasp. Along the way, he’s done everything from sweeping set floors, to supervising effects shots alongside legendary directors David Fincher, Clint Eastwood and Steven Spielberg.
In this candid podcast, Jesse reveals all about the pressures of working on set on projects that can cost $300,000 a day. He shares some incredible anecdotes about stars such as Tom Cruise, Hugh Jackman and Brad Pitt. You’ll hear about some of the cool parts of his job, like hanging out of helicopters over a closed-down Chicago to get shots for Suicide Squad, and how major sequences in Black Panther and Ready Player One were achieved.
Despite his awesome job and daily brushes with fame, Jesse acknowledges how lucky he is to do what he does, and discusses how he juggles his globe-trotting role with his young family.
Mon, 23 April 2018
Colin Green took the computer graphics skills he learned from his architecture education to help start Pixel Liberation Front. While the company is no longer around, it was one of the first to focus on envisaging movies with an art form known as previsualization. Colin talks about how previs was pioneered in films such as Fight Club, Panic Room, and Minority Report, how it’s become an essential part of the filmmaking process today, and how it’s forming the backbone of what is becoming virtual production.
Chris and Colin talk about some of the challenges of previs, such as how it can influence choices without locking people into them, and its effects on post production. Colin also mentions the huge respect he has for directors like David Fincher, who use previs to better communicate their vision to those around him.
Mon, 19 March 2018
A bottle of Trader Joe’s Blended Scotch Whisky fuels Chris and Dan Thron for this in-depth discussion of Blade Runner 2049. Like its 1982 predecessor, 2049 is an eye-catching and thought-provoking movie which tackles themes of identity, emotion and mortality in a dystopic, dysfunctional metropolis. And, like its forebear, it’s underperformed at the box office — although it’s clearly destined for cult status.
In typical Dan and Chris fashion, Blade Runner 2049 is thoroughly dissected, leaving no stone unturned and no replicant unretired. They talk about how the iconography, ideology and characters of Blade Runner are updated to reflect contemporary concerns. Dan discusses his work on the movie, its success in the visual effects category at the Oscars, and how it compares to competing sci-fi films Star Wars: The Last Jedi and The War for the Planet of the Apes.
There are inevitably a few spoilers, but Dan and Chris have some interesting theories about the film’s more ambiguous moments. By the end, you’ll want to step into 2049’s world again.
Direct download: CGGarage_Podcast166_DanielThron_BladeRunner2049.mp3
Category:Movies -- posted at: 10:15am PDT
Sun, 11 February 2018
They’re back! Star Wars aficionados, film buffs and visual effects artists Dan Thron and Justin Fields join Chris for the second part of this follow-up to the original, divisive Last Jedi podcast. This episode continues to pore over The Last Jedi to work out if the good bits outweigh the bad, and whether director Rian Johnson can shake off the franchise’s excessive baggage and build a fresh universe for a new audience.
It’s a podcast that packs as many twists, crises of confidence and character arcs as the movie itself, and Dan, Justin and Chris discover their opinions are more in line than they first thought. They also delve into the other Star Wars movies, and films including Pulp Fiction, Blade Runner 2049, The Goonies and Justice League. You’ll find out what effects industry acronym CBB stands for, a surefire way to tell when Yoda is being goofy, and how Hitchcock’s The Birds cleverly creates a sense of tension and unease.
Dan will return for another discussion of a classic film. As for young Justin, we’ll watch his career with great interest.
Direct download: CGGarage_Podcast161_DanThron_JustinFields_part2.mp3
Category:Movies -- posted at: 9:01pm PDT
Mon, 29 January 2018
Chris, Dan and David’s take on The Last Jedi in podcast #156 stirred up many emotions on social media – especially among listener Justin Goby Fields. In fact, Justin posed such a good take on why The Last Jedi is a good movie that Chris invited him to appear on the podcast for a two-episode discussion.
In part one, Justin points out the clever ways The Force Awakens and The Last Jedi break down characters and ideas from previous Star Wars movies and reconfigure them to feel diverse and fresh. And he raises some interesting questions: could Poe Dameron become Star Wars’ best hero? And is Kylo Ren its best, and bustiest, villain?
In this occasionally heated discussion, the trio also branch out into other franchises, like Logan and Deadpool’s brutal, potty-mouthed diversions from the X-Men universe, and talk about what DC, Marvel and Lucasfilm can learn from big budget TV series such as The Handmaid’s Tale and Mindhunter.
No matter what you think of The Last Jedi – and your opinion will almost certainly change a little by the end of the podcast – this is an in-depth discussion of the movie’s successes and failings, and the current state of movie making in general.
Justin, Chris and Dan will return in a couple of weeks for Episode Two: Martini Giant Strikes Back.
Sun, 7 January 2018
As the dust settles on 2017, one question lingers on everyone’s minds: was Star Wars: The Last Jedi a good movie? The critics have embraced indie auteur Rian Johnson’s continuation of the new Star Wars universe, but the response from audiences and internet nerds has ranged from ecstatic, to meh, to Kylo Ren-like levels of rage.
To dissect this divisive movie, Chris is joined by Star Wars revisionist and podcast regular Dan Thron, Chaos Group’s Communications Director David Tracy — and a bottle of Colorado’s finest whisky. They talk about what makes the film work: the incredible visuals, the performances and chemistry, and the ways it wipes the slate clean and takes apart what Star Wars means for younger audiences. But they also highlight the film’s negatives: the goofy humor, tonal inconsistencies, and Death Star-sized plot holes.
It’s an thought-provoking and increasingly drunk conversation which touches on Dan’s arguments about the original trilogy, David’s formative experiences with Darth Vader, and the future of both the Star Wars universe and colossal movie franchises.
Whether you loved or hated The Last Jedi, this is a great way to spend two hours of 2018.
Sun, 10 December 2017
Chaos Group has been involved in The Ningyo for about four years now, and it’s finally come to fruition. The ambitious 27-minute film tells the story of Professor Marlowe, an Indiana Jones-esque cryptozoologist, as he hunts for the titular aquatic creature from Japanese folklore.
In this podcast, director Miguel Ortega tells Lon and Chris about the trials and tribulations of making his movie. He and partner Tran Ma came up with the story, funded it on Kickstarter, turned their house into a film set, and learned VFX software as they went along. He talks about how the clever and occasionally risky ways they cut costs, but produced something so good that it even surprised the crew who worked on it.
This is essential listening for behind the scenes geeks, and it shows how movie budgets can spiral out of control so quickly. Miguel also talks about the exciting future plans for The Ningyo, and his career. One to watch.
Sun, 18 June 2017
Multiple Oscar winner, modern musical and box office smash La La Land has divided audiences. Is it a shameless and unsubtle Happy Meal of nostalgia? Or does it use cinema, musicals and popular culture as a launchpad to tell a human story of growth and transformation?
Fri, 19 May 2017
An early start in stop motion 8mm film making propelled Aaron Sims on a career trajectory through Hollywood. He assisted with the gooey practical effects for cult 80s movies such as “From Beyond,” “Evil Dead 2,” and “Gremlins 2.” The sleazy, show-stealing worms for “Men in Black,” were created by Aaron, and he applied his knowledge of prosthetics and puppetry to the CGI robots in Steven Spielberg’s “A.I. Artificial Intelligence.”
Now Aaron heads up Aaron Sims Creative, a concept art and VFX company which has designed creatures and locations for movies such as “Independence Day: Resurgence,” “Logan,” and “Wonder Woman.” In this entertaining podcast, Aaron talks about creating the terrifying Demogorgon for Netflix series “Stranger Things,” choosing between practical effects and CGI, and the importance of always moving forwards.