Interviews that focus on the CG creative in visual effects, architecture and beyond. Christopher Nichols of Chaos Group sits down with directors, artists, photographers and developers for candid discussions on technology and art, all with a focus on computer graphics. Visit chaosgroup.com/cg-garage for more information and an archive of past shows.

This week, Chris is joined by the versatile talent of John Hewitt. As a child, John was addicted to sketching and drafting everything he saw on TV, and this drove him into automobile design. After helping out on Schwarzenegger movie Eraser, John moved into visual effects and his impressive IMDb page includes credits on Godzilla: King of the Monsters, Star Trek Beyond and Alice Through the Looking Glass.

John’s career has taken him from visual effects in post-production to the movie-planning stages in previz. He discusses the differences between the two: the time-consuming and intricate crafting of beautiful FX shots versus the fast and furious timelines of previz. He also talks about his infamous shader networks for movies such as I, Robot and Transformers: Dark of the Moon, as well as how great previz can help directors make confident decisions and the future of film production.

Direct download: CGGarage_Podcast210_JohnHewitt.mp3
Category:Movies -- posted at: 11:05am PST